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Digital Art / Illustration / Fashion Illustration
Drawing fashionable figurative work and abstracts digitally is fun I am inspired to do more while creating digitally, do you have a question? use the 
contact page.
The Clouds Series (selected)
#01 (09192023)
#02 (10012023)
#03 (10022023)
#15 (1105203)
#22 (11192023)
#23 (11252023)
#16 (11072023) Digital, 2023
#10 (10142023) Digital, 2023
Zora Hurston Neal wears Michael Kors, 2014. digital. 

Software used Adobe Illustrator.
Langston Hughes wears Dior 2014, digital. 

Software used Adobe Illustrator.
Camel Coat, digital 2014. 
Software used Adobe Illustrator.
Fredrick Douglas wears Kenzo, digital, 2023. 

Software used Adobe Illustrator.
Mens fashion illustration.

Software used Adobe Illustrator.
Mens fashion illustration.

Software used Adobe Illustrator.
Fashion Illustration. 

Software used Adobe Illustrator.
Commission for client 2013. software used Adobe Illustrator.
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(04022026)  44" by 57", Digital.
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SRS 01_122025 (selected)
I like to make something new out of nothing, and it feels almost magical. I let my ideas grow and change, but I also try to keep everything working together. My art is a way for me to play with colors and shapes while telling a story about balance, strength, and sometimes seeing things more clearly—in my world and the world around me.

Title: The Warmth of Other Suns" (05022026)  
Digital, 44" by 57".
Title: "Borkina Faso" (05042026)  
44" by 57", Digital.
Things Clearing (04112026) 
Digital,6600 by 8400 pixels.
A Bubblegummylicious Day on the Planet of Saturn Digital (05302026) 6600 x 5800px,05/2026.
​Warmth of Other Suns 
Warmth of Other Suns is a series that explores the desire to disappear into self-constructed worlds—spaces where sensation, control, and identity can be reimagined beyond external expectation. These works approach disappearance not as absence, but as immersion: a movement into environments that are vivid, unstable, and fully felt.

Through layered digital gestures and fluid, evolving forms, I construct landscapes that surround and absorb the viewer. Light plays a central role, operating not only as illumination but as a force—radiant, shifting, and at times overwhelming. The “warmth” in these works is not passive comfort; it is an active presence that draws the viewer inward, creating spaces that feel both sustaining and intense.

These environments resist fixed narratives. Instead, they invite movement—where scale fluctuates, boundaries dissolve, and the distinction between interior and exterior collapses. The viewer is positioned within the work rather than outside it, navigating spaces that are as emotional as they are spatial.

At its core, Warmth of Other Suns reflects on the need to find or create spaces of one’s own—places to exist freely, even if only temporarily. It considers how immersion, rather than escape, can become a way of understanding presence, identity, and the desire to simply be.